In Austerlitz WG Sebald of (2001), the text images are part of the character helping you build your memory bubbles that emerge on the surface of words, images mental, silent, shipwrecked in the brain bypasses Austerlitz:
always captivated me especially in the photographic work the moment you see the role impressed arise, so to speak of nothing, shadows of reality, just as memories, says Austerlizt, which emerge in us in the middle of the night and darken quickly for those who want to subject, as a photographic copy is left too long in the bath revealed.
Knowing, as Rosalind Kraus said - it is not possible a photo narrative (NOTEX on the index), sometimes it is not possible a narrative documentary without images.
The documentary novel Villaplana Virginia, an artist who understands the practice of cultural production under the critical perspective, uses photography as a document from memory.
When art ceases to be objetual photography becomes the holder of the file, document, object to the order, which we indexal character that brings artistic research.
The novel begins by quoting Benjamin ,
articulate the past historically does not mean knowing "as it truly has been" means seize a memory, as the flashes in a moment of danger. Moments
memory is a documentary novel on the visual memory of
pits of the Franco regime in the cemetery of Valencia and the testimony of the strength of the maquis Remedios Montero García and Florian .
Villaplana explains his work by the need to create a visual memory that records the current state of these places through photography as a essay writing.
works Stock notion, in turn creating images are documents of this . And that's me remember to "think in pictures" as Aby Warburg taught us in Mnmosyne Atlas, and the MNCARS rescues in the current sample How to take the world on his back?
Villaplana Virginia. Off limits
Aby Warburg. Atlas Nemosyne
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