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urban Lyrics And while we wait, we age. Presentations on the picture

Some days it is planned to attack by strange undercurrents forced to change than previously thought. The search for Paula was impossible. Having been invited to attend the exhibition time watching us trusted information from the press. And instead of meeting Hendrik Kerstens I found José Luis Santalla.

images 15 x 21 is expanded by the white walls of the gallery as a pop album. I liked the size. Perhaps the crisis will bring a benefit to photography, the return of the small format. Sometimes the picture does not require the grandeur of the painting to be her, may even be more, have more time in the future and, through these sizes more manageable, more than a family album. Consider

photographs Santalla is contemplating the notes of an intimate travelogue. Entries are subject to feelings and feelings, which vary by time of day, landscapes, or friends join us each day. Sometimes they are very specific, sometimes very abstract, but most of them fragments of lived reality, or escapes, or nostalgia.

One of the friends portrayed, Alberto Garcia-Alix , wrote in his catalog uninhabited (2004) a poem A Santalla ending with a verse full of melancholy:

and while we wait, age .

The frieze deployed as an emotional atlas shows the strangeness of the passage of time is that although we resist accepting its path, it is relentless for everyone. The photograph chosen

display in the exhibition is staged by the legendary film Blow Up . The script was born of a beautiful fairy Cortázar tells the story of a machine: a Contax 1.1.2. The first lines of this story can serve to lead the dialogue with these images:

never know how you have to have this, if in first person or second, using the third person plural continually inventing forms that do not serve anything.

Lazlo Moholy-Nagy. Blue Lantern Drawing, 1937

Before visiting this gallery, I had seen in the Fine Arts exhibition of Moholy-Nagy . There is a projection of some color slides that he used to explain light exercises in class. They are a wonderful slides remind us that in the 30's was not really black and white and the landscapes that are our footprints, and those we have loved in our memory are recorded by the magic of a machine.

Moholy-Nagy , great teacher, wrote, in addition to that sentence and classical illiterate the future will be those who ignore the use of the camera and pen,

in the picture ... we must learn to seek not the picture, not the aesthetics of tradition, but the ideal instrument of expression, the training vehicle self-sufficient.

And so these images that only make sense in arbitrary serialization can be presented as tests of the search for a speech, a draft of a job, lost time, because we have aged.

Lazlo Moholy-Nagy. Sybil, 1945.

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STEEL COUNTER multiply our votes: President

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These are the reasons that we have all the Colombians to change this country, full of corruoptos, which accompany the Saints today in his presidential campaign, prsionando voters, women heads of households, using State programs such as Families in Action for personal gain, this is what debmos and as honest people are forced to change.

awakened to a new country, we THE MARKETS,

Antanas Mockus PRESIDENT VOTE

2010-2014,

HONEST VOTE,

VOTE WITH YOUR CONSCIENCE. NO Let yourself be manipulated.

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PHE10 The Workshop, on the morning of Saturday, as light and rain returned to a time we fall, Rafael Doctor, Joan Fontcuberta and Bledsoe & Rosa spoke of another time. Rafael Doctor

in a motley exhibition, full of digressions, had the honor of being in a paradigm and dared to name names. Was defined as postmodern, because the area of \u200b\u200bfreedom, eclecticism, postmodernism provided you are comfortable. The ten teachers in the decade 2000 -2010 as Doctor, and some agree with him are: the portrait and Riky Gonnord Pierre Davila, Carmela García its sceneries, Sergio Belinchón as a landscaper, Bledsoe & Rosa by reflecting on history, time and image Angel Marcos, Carles Congost, Jordan Bernard, Xavier Ribas and Juan Manuel Ballester.

collective exposure to the ride, safe and eclectic, the new decade would be to: Ricardo Cases (frozen wolf hunting), Angel de la Rubia (The pit Valdediós), Carlos Sama, Jesus Ubera and José Ramón Aix.

Joan Fontcuberta splendid communicator, was the most applauded, he argued that memory and truth and traditional uses of photography seem to have disappeared, and now the picture is another matter. Effective blows had to drag the audience. Is defined as "historicist" and so I ask the question like How heavy is the history of photography? To answer weight on a scale book Publio Lopez Mondejar and Summa Artis dedicated to photography in Spain, and although his name appears on such weighty tomes, that chronological encyclopaedic knowledge is outdated nineteenth-century. Today not explain as alter the picture the image of the world.

cited a speaker from the previous session, Alejandro Castellote : Until lions have historians, history will always hunters and illustrated with an image that struck him to leave the conference room: the lions of Congress temporarily protected by a photographic reproduction. The substitution of reality by the images is already a reality, although it is not yet on the replacement of the official discourse of history.
Photography is a middle membrane that separates the world of physical.

cited the work of authors, Alison Jackson, Penelope umbric, Eric Kessels, that interested him to give quality thought. The important thing is not history styles, but the history of discourses.

regression raised a proposal (by Protos group), the think tank that is part of Castro Prieto and that is to talk with a good bottle of wine. Regression to the mono
photographer (as the subject of seventeenth-century painter mono), regression to the blind raised. Authors without quality, because quality, since with the current cameras can be either a master photographer and does not matter. While the digital democratization, shifting magma incessant images, requires that our perception of photographic phenomenon changes. Today, no matter the content, but the gesture. They do not make pictures for the family album but to err on the virtual world blurred and fuzzy.


Bledsoe and Rosa, whose work is based on a speech very well locked, absent in most photographers of our country, carefully presented his work, much more soberly, with an exercise in dialectic and dialectical time look, based on two scriptures: Aby Warburg (Nmosine-Atlas) and Walter Benjamin (Book of the passages) . Working with projects that speak of memory and place, time and space, the representation of time, memory and power.
part of a triptych of images interwoven with the text, which explains the comings and goings of its various projects: On one side the Arc de Triomphe Maxilimiano I Dürer engraving , 1512 - in the center the Battle of Almansa in 1707 - and right wing of the triptych to Richard Long and land art to walking line by 1967.

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Armed with a pencil and with the motto "unity is strength", the Green candidate for President of Colombia, Antanas Mockus, began a challenging tour of the traditional coffee-growing region, where the ruling Juan Manuel Santos at his heels in the polls.

After the last poll a dead heat granted to the two candidates, after weeks in which Mockus was a leader in voting intentions, the philosopher and mathematician broke with machinery in Manipur, one of the cities that make up the coffee and stronghold of liberal and conservative, traditional parties.

There he expected a place full of fans, mostly young students, who kept shouting slogans such as "To us, no one paid us!".

According to the polls, a majority vote to receive Mockus in the May 30 elections will be "young, urban, and also from middle and upper classes, the educated class in Colombia, to which the committed candidate the development of the country through taxes.

"They will pay more than those with more," Mockus preached to several thousand people dressed in green shirts and armed with sunflowers, his other campaign symbol next to the pen, which refers to the key issue on its agenda : education.

The candidate said: "All social policy is expressed and made visible in the budget, I hope to grow the contribution of the upper strata, these strata are going to vote for me I will ask you to help me improve the plight of the poor. "

"We the support of the middle-and high bless to work together against poverty, "he added.

In this regard, he announced that if he wins the election, his party colleague Lucho Garzón, who like him was Bogota Mayor is responsible for social policies in their government.

He said that will remain subsidy programs for poor families and grant aid to students "to encourage high school completion, in addition to promising a health system reform. All of this with money from the wealthiest taxpayers.

also

confirmed that the Green candidate for vice president, Sergio Fajardo, share this position with the Education portfolio.

With slogans such as "public funds are sacred," the audience screamed and jumped calling for political change, to which Mockus said that "without social justice there will be no peace."

"social justice must be done and we must make peace, and will lead the path of social and military pressure, and another through public investment well made," noted the 58-year intellectual.

As if teaching a class at the National University of which he was rector, Mockus used a series of metaphors to explain their program, and remembered what happened in apartheid South Africa to explain that torture and pain have no place in any society, then the case for moving to Colombia .

also asked the public "is more serious to rob a citizen or the State?", To which the crowd responded in unison: "The State!".

This candidate was willing and as another key line of your program is what he calls the "democratic rule", which is nothing to make society see the need to comply rights and obligations.

One of the meeting, the law student Jose Fernando Trujillo, Mockus said they would vote for because "it is time to revolutionize and change the way of doing politics."

"We are convinced that Professor Mockus going to show us the way in which Colombians are going to choose representatives to the public power of conviction, not by handling patronage, favors or gifts."

also made clear that the Green candidate, "as well as educate and culturizar people, will be tough on crime, the guerrillas and paramilitaries" as he did, he recalled, when he was mayor of Bogotá.

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20 June: Defeat

Indifference Defeat, defeat corruption, SAVE TO COLOMBIA TO THE CORRUPT, for our future, Antanas Mockus PRESIDENT 2010-2014.

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Creating awareness is shown best investment in the future, they will be our children who will be reborn in the renewal of values \u200b\u200band ideas, the renovation of the virtues of man and his love for tolerance to respect different ideas, and above all the rejection of the manipulation and corruption in all its forms and moments, not waste any more time defending the hypocrisy, manipulation, corruption, politicking and its flag, fight for a better tomorrow, for a better future, so PRESIDENT 2010-2014 MUCKUS ANTANAS vote, we deserve AND MOST IMPORTANT IS WHAT OUR CHILDREN DESERVE.

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everyday life. Lola Tunic.

On Tuesday June 1st two exhibitions were opened in EFTI within 10 PHE programming, which always comes to Madrid in the heat of June. In the same space live two completely different ways of expressing the language of photography.

Landscapes mist of Saglietti Ivo, who won two World Press Photo awards , black and white photos, a trip to the borders of the eastern Mediterranean, responding to the language of a photojournalist comme il faut .

cotidianidades of Lola Tunic radiant white and uncompromising black, only shades of gray, is a way of telling, expressive language, which not only has the act of shooting. Lola Tunic

neutralizes transforming domestic interiors in pristine areas, neutral, evanescent, weightless, which seem to be of this world, but have been photographed while dreaming. We returned images created while we were sleeping, and waking up to reverberate in our brains, because they were happy dreams, we project on every corner, in every corner of the house.

And the light coming through the windows is pure, even whiter than white objects, and that we da serenely quiet and protects us.

His work is the reverse of the work of Thomas Demand . Demand play a real scenario at 1:1 with colored cards, an exercise in architectural reflection on space. Once photographed the model destroys the assembly and is the test. Lola becomes reality in a real scale model. The picture is taken, reality returns to be because you have to go on living. The heartbeat of daily life stopped as the dreams stopped, but then everything is waking being.

Thomas Demand

And life is a dream and dreams are dreams , as the room where the musician lived a sweet story, as the room where the party was held that a loved one aged, as the window turned into a jungle with animals in a row led to the elephant or gas balloons that took root in another corner of the house and when we awaken from long slumber, yet allow us to rejoice with his mark, in the wake they left on there where they live our fantasies.