Pavel Novotny E Zeb Atlas

Watercolors

Back to walk the dusty road of indifference
with saddlebags full of disappointment
and drinking bitter springs
with dry mouth kissing .

Walker inertia I still hurt by the sun and melancholy sunset
the eyes of others taking refuge
eyes guarding the heart
the narrow tube that shades the pain.

Among the bushes and flowers
with memories fresh water
down among the stones of my memory
arise tiny and simple the impatiens
pick today in your name.

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When we love goes a thousand excuses and justifications to bring dignity, but ....... is gone, left us for another and it hurts. Be brave and face it if someone does not want to be with us, let him go, we empty our cup to be refilled;
because if the love is gone or has been spent we have no choice but follow.

Love is not asked, not begged, is the magic of a meeting, sharing and love is one that leaves us is that we do not deserve it, is simply that he is not earned by us.

Catch and release.
Open and Close.
is the law of life is the law of love.

With all the pain of our broken hearts.

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2011 Madridfoto

was inaugurated Madridfoto , international photography fair in Madrid. Unfilled Hall 5 of the Ifema, no carpet, with small sizes, more or less classical names, jobs and seen, and without much noise, seems intent on holding on. There

delicious pieces and some interesting proposals, but generally bored with the appeal to the bet, the conventional taste, and a copy of the copy.

After a look at the offers made by the nearly fifty galleries, I appreciate creative photography has less force than the documentary aesthetic. Photography competing with the paint seems to be falling into a mannerism that the slab. Isolation surprising achievements in some photographers who have a clear documentary. When questioning the reason for this change may I ask whether the photographers who paint with photography have left the eye of the camera, and this weakens the works they create.

Some of the galleries with which he started the show are not present in the current edition and no other classical and unique in its dedication to photography, although there are still some important and a balanced foreign presence that always enriches these events. What we have at home already know. Though what they bring those off between the typical image of English-topic and English artists. Safe bets. I suppose that those who trade with it think that in times of crisis better not to move and try to cover travel costs.

Reinan new ladies of English photography: Concha Perez with a new job, as disturbing as a forest fairy tales, in My name's Lolita Art , in contrast with the work of Rubén Acosta. This bet does not have other galleries, which stand looks more like a market where all that can be hung without rhyme or reason. Soledad Córdoba, with self-portraits also disturbing ants, spiders and birds, that hurt, no damage, glass body Vertex of Oviedo and Rosa Muñoz with the tower of babel built with the nostalgia of cities obliterated in the gallery Hartmann of Barcelona.



The Gao Magee Gallery in Madrid shows once again the vitality of Chinese art. The Three Graces by Han Lei dominate with its own weight, in the central area of \u200b\u200bthe fair and among many other works on a first visit I could not taste, I prefer the series "The office of Daniel live in Blaufuks Carlos Carvalho gallery Lisbon. Her delicate still lifes have treatment of color and light debtors of painting, but so full of time and memory search, as only the language of photography can be achieved with such intensity.

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The picture looks at the painting II Magnum Paris

Yasumasa Morimura

Today May 3, is good Goya day to summon. In this new year of photography looking at the painting, Goya has been cleverly rethought, I present some of the work, as a tribute to an artist often interpreted able to collect on his canvas the entire history of the troubled times for the crossing.

In the reinterpretation of a work of art, one can observe two distinct approaches: one that through and copy his gestures, updating the style of Yasumasa Morimura, and another that uses pictorial images to reflect on the treatment of a story or of transcending genre, the style of Jeff Wall.

Andrea Prado's work, The naked maja , Sandra Rodriguez, Asmodea, and Veronica Vicente, Dog semihundido , follow the second way to deal with the pictorial reference.

Andrea Prado

The pestle is a Barbie doll, asexual, but in this case explicitly show pubic hair in the center of the image. The diagonal composition is reversed and instead of resting on a soft bed of white cushions, is shown lying on a land uprooted, disturbing, as the mannequins and dolls abandoned. La maja de Goya provides the viewer sees it, while Andrea Prado seems to want to talk about a woman who has been provided with ideal types to a current reading is to be questioned.

Sandra Rodriguez

La fotografía que afronta Asmodea o visión fantástica de Sandra Rodríguez recorta una fugaz figura roja, que resume el disparo y el vuelo de la pintura negra, sobre un paisaje que se acopla al perfil de lo imaginado por el pintor, y que es interpretada como una huida, condensando en el movimiento giróvago de la mancha roja, la representación de la fuga, el inicio del vuelo, de la retirada, aislándola en su abandono y haciendo innecesaria la referencia al resto de las figuras representadas por Goya.

Verónica Vicente

Veronica Vicente Álvarez feel seduced by the mystery indefinite another black paint, Dog semihundido. Engages the workpiece in the Camouflage series, which currently works. She, a report, camouflaged in different landscapes. In this case, using the composition and range of earthy colors, blend in a chair trying to recreate the mystery and the mystery that beats in the paint. Instead

work Paloma Iglesias, the Naked Maja, Fernando de Domingo, Saturn Devouring His Children and Jaime Menendez, Bruges Flight enroll in the first trend, to blend with the light and composition to exercise update photo using humor.

Iglesias Paloma

The naked maja Paloma Iglesias, is a fun collage, painting a very naked. A flower that promises pleasure, on a bed of green and white petals, which refers to the couch in the nude offered by Goya. Maja is undressed by Matisse, Gauguin and Modigliani.

Sunday Fernando

The Saturn devouring his sons, Fernando de Domingo, is also a terrifying de-dramatization of Saturn's painter which governs the melancholy, the triumph of the night and governs the ripe age of men. Replace the bloody mass of the child, a skateboard, an attribute of adolescence can be a catharsis of who is facing adulthood.

Jaime Menéndez

And Witches Fly Jaime Menendez, matching the color palette and composition, transmutes the witches in three men who rise to another, lying, upsetting the horror and crazy weightless beings into something much more enjoyable. The nightmare of man covered with a white sheet on the material plane, is replaced by the delightful dream, in the dream world.