was inaugurated
Madridfoto , international photography fair in Madrid. Unfilled Hall 5 of the Ifema, no carpet, with small sizes, more or less classical names, jobs and seen, and without much noise, seems intent on holding on. There
delicious pieces and some interesting proposals, but generally bored with the appeal to the bet, the conventional taste, and a copy of the copy.
After a look at the offers made by the nearly fifty galleries, I appreciate creative photography has less force than the documentary aesthetic. Photography competing with the paint seems to be falling into a mannerism that the slab. Isolation surprising achievements in some photographers who have a clear documentary. When questioning the reason for this change may I ask whether the photographers who paint with photography have left the eye of the camera, and this weakens the works they create.
Some of the galleries with which he started the show are not present in the current edition and no other classical and unique in its dedication to photography, although there are still some important and a balanced foreign presence that always enriches these events. What we have at home already know. Though what they bring those off between the typical image of English-topic and English artists. Safe bets. I suppose that those who trade with it think that in times of crisis better not to move and try to cover travel costs.
Reinan new ladies of English photography: Concha Perez with a new job, as disturbing as a forest fairy tales, in
My name's Lolita Art , in contrast with the work of Rubén Acosta. This bet does not have other galleries, which stand
looks more like a market where all that can be hung without rhyme or reason. Soledad Córdoba, with self-portraits also disturbing ants, spiders and birds, that hurt, no damage, glass body Vertex
of Oviedo and Rosa Muñoz with the tower of babel built with the nostalgia of cities obliterated in the gallery
Hartmann of Barcelona.
The
Gao Magee Gallery in Madrid shows once again the vitality of Chinese art. The Three Graces by Han Lei dominate with its own weight, in the central area of \u200b\u200bthe fair and among many other works on a first visit I could not taste, I prefer the series "The office of Daniel
live in Blaufuks Carlos Carvalho
gallery Lisbon. Her delicate still lifes have treatment of color and light debtors of painting, but so full of time and memory search, as only the language of photography can be achieved with such intensity.
