Concha Perez. Reflection . 2008 The assignment of an exhibition of photography has allowed me to reflect on the representation space from the picture to talk in images on the theme proposed for the IV Symposium of the Permanent Seminar of Literature and Women (XX and XXI centuries) from the UNED : The physical and symbolic space.
An art exhibition is a process while a content. From the Documenta 12 enshrined the curatorial role as a creative function. The centrality of the speech of Commissioner requires the preparation of a thesis and show the different parts, not only as an exhibition of works more or less beautiful, but because they are works that construct a narrative. The curator's task is to build the exhibition 'counting the pieces and works of art selected for that purpose.
An exhibition can be a laboratory, something living, dynamic, seeking to question the viewer, and construct a story based on the exhibition space and the work chosen.
The first criterion was that the artists were women, and he wanted to show what could be called from a gender perspective in the treatment of differentiated space that used to see widespread adoption in the picture.
The second approach, emphasizing the gender perspective, as a dip and we act as if the visibility of women in art to be an issue overcome and an old debate. Lastly
adjustment to the topic of the symposium that was the one who made the proposal to establish a connection between the purely literary and iconographic.
think the title of the exhibition: A separate room has been the thread that led to the selection of works reflecting and contributing references and signs which can recognize and define the moment of the photograph shot by women and deal of space and landscape.
are 17 women photographers most of them born in the years of the English transition, between 1974 and 1982: Veronika Márquez, Rosa Muñoz, Amaya Hernández, Linarejos Moreno, Carme Casulá, Lola Guerrera, Lourdes Carcedo, Barbara Fluxá, Isabel Stems Greta Alfaro, Soledad Córdoba Olga Simon Vizcaíno Zoé, Concha Pérez, and Arantxa Bootes, and Maria Lucia Morate Platero.
is only fair to note that an exposure of this kind does not go forward without a major professional team who works, non-profit organizations throughout the project. It would have been impossible to do all this and get these results without a team that has worked perfectly, but mostly by the generosity of the seventeen artists who have loaned their works for exhibition.
In the next post I will presenting the work of each, until March 8, when the opening in the exhibition hall of the Faculty of Fine Arts the Complutense.
An art exhibition is a process while a content. From the Documenta 12 enshrined the curatorial role as a creative function. The centrality of the speech of Commissioner requires the preparation of a thesis and show the different parts, not only as an exhibition of works more or less beautiful, but because they are works that construct a narrative. The curator's task is to build the exhibition 'counting the pieces and works of art selected for that purpose.
An exhibition can be a laboratory, something living, dynamic, seeking to question the viewer, and construct a story based on the exhibition space and the work chosen.
The first criterion was that the artists were women, and he wanted to show what could be called from a gender perspective in the treatment of differentiated space that used to see widespread adoption in the picture.
The second approach, emphasizing the gender perspective, as a dip and we act as if the visibility of women in art to be an issue overcome and an old debate. Lastly
adjustment to the topic of the symposium that was the one who made the proposal to establish a connection between the purely literary and iconographic.
think the title of the exhibition: A separate room has been the thread that led to the selection of works reflecting and contributing references and signs which can recognize and define the moment of the photograph shot by women and deal of space and landscape.
are 17 women photographers most of them born in the years of the English transition, between 1974 and 1982: Veronika Márquez, Rosa Muñoz, Amaya Hernández, Linarejos Moreno, Carme Casulá, Lola Guerrera, Lourdes Carcedo, Barbara Fluxá, Isabel Stems Greta Alfaro, Soledad Córdoba Olga Simon Vizcaíno Zoé, Concha Pérez, and Arantxa Bootes, and Maria Lucia Morate Platero.
is only fair to note that an exposure of this kind does not go forward without a major professional team who works, non-profit organizations throughout the project. It would have been impossible to do all this and get these results without a team that has worked perfectly, but mostly by the generosity of the seventeen artists who have loaned their works for exhibition.
In the next post I will presenting the work of each, until March 8, when the opening in the exhibition hall of the Faculty of Fine Arts the Complutense.
Exhibition Hall of the Faculty of Fine Arts
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