Falls. Rosa Muñoz An exhibition of women photographers women trying to explain space should provoke reflection on the possible readings of it.
When the look of the landscape is a woman's eyes, the possession and disrupt domain in attempt to explain, for questioning. So there are images of Barbara Fluxá are reflected landscape, or landscapes of Carma malheridos Casulá and others that are landscapes of the soul, or scarring as Patch of Olga Simon . Both become reality in a single territory, which dilute the boundaries between public and private. The world is uncertain. The assault on the landscape, is also open wound inside the body. The landscape is humanized. The landscape has tattooed skin of our body.
When the look of the landscape is a woman's eyes, the possession and disrupt domain in attempt to explain, for questioning. So there are images of Barbara Fluxá are reflected landscape, or landscapes of Carma malheridos Casulá and others that are landscapes of the soul, or scarring as Patch of Olga Simon . Both become reality in a single territory, which dilute the boundaries between public and private. The world is uncertain. The assault on the landscape, is also open wound inside the body. The landscape is humanized. The landscape has tattooed skin of our body.
While the landscape becomes skin becomes unreal. Many of the landscapes that we see in this exhibition, those Linarejos or Amaya Moreno Hernández , we generate the uncertainty of being dreamed, to be created. The cities of light dust and geographies Amaya are no stains, marks on a landscape subtle hoyado not. The ruins are uncertain Linarejos documentary of a world that no longer physically real. And when the scenery is indoors or Reflection Alicia of Concha Perez are dreams and opportunities taken, and inhabited room, converted into time. Enclosed spaces where the woman waits and weaves.
cotidianidades of Lola Tunic rooms and making things in real-size models, causing a feeling of alienation and distance, what we hold closest. Live on tiptoe, dematerialized.
Mary Platero challenges us with irony the world we live in close daily and we control.
Other landscapes in Zoé T. Vizcaino are throwing stones at a reflection that we have in the world. Or burn or corrode, uncovering the hidden flowing under its surface, like vultures looming over the immaculate white tablecloth to participate in the feast of sensationalist In ICTU Oculi of Greta Alfaro.
fragile
And Soledad Córdoba nightmares retreat on the illustrations of dreams.
Or when Arantxa Boyero wanders inside Torres Blancas, drag your fears, mimics the organic walls of the building, try to hear the belly of an architect, following his fluids.
confined to private spaces, the body becomes an entire continent, supporting investigations of many of the artists.
costumes and fur pelts Isabel Stems , Lourdes Carcedo , Veronika or Lucia Marquez Morate . Falls
of Rosa Muñoz reveals that mysterious well, the Red River, which flows into unreal territory calling for water the earth and explode in the sun.
Fluxá Barbara photography is a palimpsest where nothing you try to capture it all flows. Romas flow all disappeared by the channeling of the Tiber. Muta link the city with its river, others since then to its flow. No attempted possession of the substance, just an exercise to listen, to rescue her.
cotidianidades of Lola Tunic rooms and making things in real-size models, causing a feeling of alienation and distance, what we hold closest. Live on tiptoe, dematerialized.
Mary Platero challenges us with irony the world we live in close daily and we control.
Other landscapes in Zoé T. Vizcaino are throwing stones at a reflection that we have in the world. Or burn or corrode, uncovering the hidden flowing under its surface, like vultures looming over the immaculate white tablecloth to participate in the feast of sensationalist In ICTU Oculi of Greta Alfaro.
fragile
And Soledad Córdoba nightmares retreat on the illustrations of dreams.
Or when Arantxa Boyero wanders inside Torres Blancas, drag your fears, mimics the organic walls of the building, try to hear the belly of an architect, following his fluids.
confined to private spaces, the body becomes an entire continent, supporting investigations of many of the artists.
costumes and fur pelts Isabel Stems , Lourdes Carcedo , Veronika or Lucia Marquez Morate . Falls
of Rosa Muñoz reveals that mysterious well, the Red River, which flows into unreal territory calling for water the earth and explode in the sun.
Fluxá Barbara photography is a palimpsest where nothing you try to capture it all flows. Romas flow all disappeared by the channeling of the Tiber. Muta link the city with its river, others since then to its flow. No attempted possession of the substance, just an exercise to listen, to rescue her.
Stalker. Black square. Moreno Linarejos
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