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THE "CASTLE" Moratinos

De Moratinos
north castle rises well and backwaters

wind rises the village.

only the name of castle battlements
because there is none

perhaps his name comes up your silhouette.


Since she contemplated the view of several people
and when the day is clear
details of many of them.

As the land is so flat

climbing to high
is clearly visible almost all fields.

With his knowledge of ancient building on the slope

pierced his heart
a Gruyere cheese. Twenty-one wineries



dug around him kept well
wine that this area was given.

In
oak mildew
and soon covered all his good work in the fire
ended.

Pots and sadly remembered
hogsheads of good wine

needle housed in their times.

As
spokes of a wheel in the center are all separated by walls

how easy it would remove. Military


came to make a good study of this unique
"castle"
a wonderful refuge.

is customary in this area invite visitors


being good food in the warehouse snack.

No more than eight residents now live
;
meet
know and honor all visitors.

Minister Moratinos
before
hold office wanted to know if some people
the same name he bore.

After consulting many guidebooks and lengthy investigation


Moratinos village wearing only his name.


This illustrious character in its agenda
found time to see for himself
and Moratinos arrived.

Mayor polite,

invited to her store and keep a good memory
a wine cheese and ham.

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Under Garage Door Leak

a harsh light, without compassion. Riding

Eugen Heiling, 1930 AIZ

much patience is needed to calculate the effect on a ball pool and cannon. Yesterday Madrid was like a big village. A pleasant morning walk, for an aperitif landfall near some of the 14 galleries in Play Three-way. Are also welcome ideas to make market. We're not going to question that art also needs to market, and that's what should occupy the galleries and fairs. They have to sell their artists, because they live of customers who buy these items and know realize their desires. There is no doubt that this country needs to think about strategies to create an audience-getter. But the curators have put ideas on the table, create discourse, educate and mobilize a public-viewer, who may become public-getter. I believe that the arena should be different.

over a year ago was held at the Museo Reina Sofía a seminar designed as a prelude to the expected exposure in 2011: a harsh light, without compassion. The Worker-Photography Movement, 1926-1939 . I look forward to the exhibition which opens on Tuesday, April 6. The work performed by Jorge Ribalta in this exhibition is a model of work which to me should conduct a commissioner. Researching, thinking, conceptualizing working as a class picture photography. The exhibition has raised a period of study, research and conferences that have allowed to mature a theme and set up a thesis. This exhibition connects the study of the artistic avant-garde political vanguards, trying to establish a new interpretation of the photograph, displacing traditionally read as hegemonic movements such as the New Vision, to be understood in relation to social movements, and trying to photograph as a documentary source.

The intention is to create "a story that explains how public spaces formed by the proletarian documentary photography," according to statements by Ribalta Public collecting, and point the social conscience with which these visions were born, who have not had a place in the history of photography, to go dematerialized after the Second World War by "gourmet photography"

Walter Ballhaus