Yasumasa Morimura Today May 3, is good Goya day to summon. In this new year of photography looking at the painting, Goya has been cleverly rethought, I present some of the work, as a tribute to an artist often interpreted able to collect on his canvas the entire history of the troubled times for the crossing.
In the reinterpretation of a work of art, one can observe two distinct approaches: one that through and copy his gestures, updating the style of Yasumasa Morimura, and another that uses pictorial images to reflect on the treatment of a story or of transcending genre, the style of Jeff Wall.
Andrea Prado's work, The naked maja , Sandra Rodriguez, Asmodea, and Veronica Vicente, Dog semihundido , follow the second way to deal with the pictorial reference.
In the reinterpretation of a work of art, one can observe two distinct approaches: one that through and copy his gestures, updating the style of Yasumasa Morimura, and another that uses pictorial images to reflect on the treatment of a story or of transcending genre, the style of Jeff Wall.
Andrea Prado's work, The naked maja , Sandra Rodriguez, Asmodea, and Veronica Vicente, Dog semihundido , follow the second way to deal with the pictorial reference.
Andrea Prado
The pestle is a Barbie doll, asexual, but in this case explicitly show pubic hair in the center of the image. The diagonal composition is reversed and instead of resting on a soft bed of white cushions, is shown lying on a land uprooted, disturbing, as the mannequins and dolls abandoned. La maja de Goya provides the viewer sees it, while Andrea Prado seems to want to talk about a woman who has been provided with ideal types to a current reading is to be questioned.
Sandra Rodriguez
La fotografía que afronta Asmodea o visión fantástica de Sandra Rodríguez recorta una fugaz figura roja, que resume el disparo y el vuelo de la pintura negra, sobre un paisaje que se acopla al perfil de lo imaginado por el pintor, y que es interpretada como una huida, condensando en el movimiento giróvago de la mancha roja, la representación de la fuga, el inicio del vuelo, de la retirada, aislándola en su abandono y haciendo innecesaria la referencia al resto de las figuras representadas por Goya.
Verónica Vicente
Veronica Vicente Álvarez feel seduced by the mystery indefinite another black paint, Dog semihundido. Engages the workpiece in the Camouflage series, which currently works. She, a report, camouflaged in different landscapes. In this case, using the composition and range of earthy colors, blend in a chair trying to recreate the mystery and the mystery that beats in the paint. Instead
work Paloma Iglesias, the Naked Maja, Fernando de Domingo, Saturn Devouring His Children and Jaime Menendez, Bruges Flight enroll in the first trend, to blend with the light and composition to exercise update photo using humor.
work Paloma Iglesias, the Naked Maja, Fernando de Domingo, Saturn Devouring His Children and Jaime Menendez, Bruges Flight enroll in the first trend, to blend with the light and composition to exercise update photo using humor.
Iglesias Paloma
The naked maja Paloma Iglesias, is a fun collage, painting a very naked. A flower that promises pleasure, on a bed of green and white petals, which refers to the couch in the nude offered by Goya. Maja is undressed by Matisse, Gauguin and Modigliani.
Sunday Fernando
The Saturn devouring his sons, Fernando de Domingo, is also a terrifying de-dramatization of Saturn's painter which governs the melancholy, the triumph of the night and governs the ripe age of men. Replace the bloody mass of the child, a skateboard, an attribute of adolescence can be a catharsis of who is facing adulthood.
Jaime Menéndez
And Witches Fly Jaime Menendez, matching the color palette and composition, transmutes the witches in three men who rise to another, lying, upsetting the horror and crazy weightless beings into something much more enjoyable. The nightmare of man covered with a white sheet on the material plane, is replaced by the delightful dream, in the dream world.
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