In one of the surprise hits Fuenlabrada white architecture, prismatic, oversized, like a cruise ship adrift, stranded on a large block of 17,000 m2, the Center Cultural Tomás y Valiente -the Bilbao Guggenheim occupies 24,000 m2. Within this complex houses the Art Center, and inside the Art Center, a space not originally designed as an exhibition space, but as a tennis court where the exposure Morate Lucia.
The Art Center space is distributed in inverse hierarchy: exposure, more international in principle, on the ground floor: Adrift of Li Qing, a second floor, which exposed to a national name: Alicia Martin and the top floor, which shows the work of young Artists: Lucia Morate . The mixture, as the building is unusual. Li Qing (Zhejiang , 1981) shows a great facility in which coats of feathers, ordered by a mysterious color gamut, recall immediately, seriality and individuality of the warriors of Siam. Ascending, the sculptures of books Alicia Martin overflow the walls. On the top floor, in the exhibition space more difficult, we can see where the mirror not enough.
Draft Lucia is an intimate work, struggling to defend themselves against the immensity of the room. There are a lot of money and hard work on CEART, very bad architecture.
Jean August Dominique Ingres (1808) work
Lucia has light pearl is white, pure. They are serene images that show a woman being aware of your body, clean, floating naked in amniotic magma, fed plasma water, floating like lilies, free from the gaze of others that impose roles, prejudice or fees. Thus, an apparently simple, reflects on how being a woman in the world.
Some images evoke the Ingres swimmers, classicism, romanticism of other Ophelia that is thrown into the waters unable to take his own anguish. But Lucia swimmers have assumed their anguish, her femininity, without being afraid the adventures that they derive from the river of life.
John Everett Millais (1852) 
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