After seeing the exhibition of the classic American photographer, Helen Levitt , showing his work along the axis of the book Way of Seeing, the Mexican photographs, color slides the 70 and 80 and the last images that reach the 90, where a small slip would miss the documentary In The Street (1945), American independent cinema and poetry in collaboration with writer James Agee and painter Janice Loeb , like it says Jorge Ribalta , curator of the exhibition, is a translation of photographic work by Levitt to the movies .
Helen Levitt. Circa.1940 But Levitt is not whom wanted to talk in this post. Passing to the Teatro de la Zarzuela, leaving the urban Lyric exposure, were in the Lyric Theatre today announced the schedule: School Bowling National Ballet of Spain , and the image of the poster was responding to the rigorous canons of the old-fashioned to be a ballet and English as well.
remembered with a twinge of melancholy that just ten days before he said goodbye in the same space National Dance Company directed by Nacho Duato with a magnificent program. Have been published for the occasion, celebrating the twentieth anniversary of the company, a beautiful photo book where it is fundamental.
The book's cover, a photograph of the bust of Duato back, and back, with the portrait of the face, is a small Wink know and understand those who are faithful followers of fanzine digital 10x15. Inside the dance alive by the use of the photographic image. Chapter
From the inside, is a family album, photographic memories of a touring company, which manages to convey the excitement of the dance.
selected
The choreography is a photographic work Ferdinand Marcos. Photographing the theater is to stop the narrative of the word, and I commented at some point, how difficult that job is photography. Photographing dance is photographing the plastic, the evanescence of the movement, and that is why it is still more difficult to leave a documentary record of what is born of breath with movement.
opens with a photograph White Darkness, work for which he was awarded a Wold Press Photo in 2002, a waterfall of salt that falls over a dancing girl, work that I've ever seen, reminds me The crossing of Bill Viola. This image is packed with great dramatic force strength, perhaps by the hand imploringly.
remembered with a twinge of melancholy that just ten days before he said goodbye in the same space National Dance Company directed by Nacho Duato with a magnificent program. Have been published for the occasion, celebrating the twentieth anniversary of the company, a beautiful photo book where it is fundamental.
The book's cover, a photograph of the bust of Duato back, and back, with the portrait of the face, is a small Wink know and understand those who are faithful followers of fanzine digital 10x15. Inside the dance alive by the use of the photographic image. Chapter
From the inside, is a family album, photographic memories of a touring company, which manages to convey the excitement of the dance.
selected
The choreography is a photographic work Ferdinand Marcos. Photographing the theater is to stop the narrative of the word, and I commented at some point, how difficult that job is photography. Photographing dance is photographing the plastic, the evanescence of the movement, and that is why it is still more difficult to leave a documentary record of what is born of breath with movement.
opens with a photograph White Darkness, work for which he was awarded a Wold Press Photo in 2002, a waterfall of salt that falls over a dancing girl, work that I've ever seen, reminds me The crossing of Bill Viola. This image is packed with great dramatic force strength, perhaps by the hand imploringly.
Ferdinand Marcos. White Darkness. 2002 
Bill Viola. The Crossing.1996
La premisa de que toda fotografía es una evidencia de la realidad ha quedado anulada, porque las apariencias han sustituido a la realidad. Y nos gusta más el mundo paralelo that is created on a stage, and is encoded by the picture, that is created in virtual reality .... but that is another post.
Fernando Marcos 
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