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PHE10 The Workshop, on the morning of Saturday, as light and rain returned to a time we fall, Rafael Doctor, Joan Fontcuberta and Bledsoe & Rosa spoke of another time. Rafael Doctor

in a motley exhibition, full of digressions, had the honor of being in a paradigm and dared to name names. Was defined as postmodern, because the area of \u200b\u200bfreedom, eclecticism, postmodernism provided you are comfortable. The ten teachers in the decade 2000 -2010 as Doctor, and some agree with him are: the portrait and Riky Gonnord Pierre Davila, Carmela García its sceneries, Sergio Belinchón as a landscaper, Bledsoe & Rosa by reflecting on history, time and image Angel Marcos, Carles Congost, Jordan Bernard, Xavier Ribas and Juan Manuel Ballester.

collective exposure to the ride, safe and eclectic, the new decade would be to: Ricardo Cases (frozen wolf hunting), Angel de la Rubia (The pit Valdediós), Carlos Sama, Jesus Ubera and José Ramón Aix.

Joan Fontcuberta splendid communicator, was the most applauded, he argued that memory and truth and traditional uses of photography seem to have disappeared, and now the picture is another matter. Effective blows had to drag the audience. Is defined as "historicist" and so I ask the question like How heavy is the history of photography? To answer weight on a scale book Publio Lopez Mondejar and Summa Artis dedicated to photography in Spain, and although his name appears on such weighty tomes, that chronological encyclopaedic knowledge is outdated nineteenth-century. Today not explain as alter the picture the image of the world.

cited a speaker from the previous session, Alejandro Castellote : Until lions have historians, history will always hunters and illustrated with an image that struck him to leave the conference room: the lions of Congress temporarily protected by a photographic reproduction. The substitution of reality by the images is already a reality, although it is not yet on the replacement of the official discourse of history.
Photography is a middle membrane that separates the world of physical.

cited the work of authors, Alison Jackson, Penelope umbric, Eric Kessels, that interested him to give quality thought. The important thing is not history styles, but the history of discourses.

regression raised a proposal (by Protos group), the think tank that is part of Castro Prieto and that is to talk with a good bottle of wine. Regression to the mono
photographer (as the subject of seventeenth-century painter mono), regression to the blind raised. Authors without quality, because quality, since with the current cameras can be either a master photographer and does not matter. While the digital democratization, shifting magma incessant images, requires that our perception of photographic phenomenon changes. Today, no matter the content, but the gesture. They do not make pictures for the family album but to err on the virtual world blurred and fuzzy.


Bledsoe and Rosa, whose work is based on a speech very well locked, absent in most photographers of our country, carefully presented his work, much more soberly, with an exercise in dialectic and dialectical time look, based on two scriptures: Aby Warburg (Nmosine-Atlas) and Walter Benjamin (Book of the passages) . Working with projects that speak of memory and place, time and space, the representation of time, memory and power.
part of a triptych of images interwoven with the text, which explains the comings and goings of its various projects: On one side the Arc de Triomphe Maxilimiano I Dürer engraving , 1512 - in the center the Battle of Almansa in 1707 - and right wing of the triptych to Richard Long and land art to walking line by 1967.